A Dream of Angus Oge ©
by Æ
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The day had been wet and wild, and the woods looked dim and drenched from the window where Con sat. All the day long his ever restless feet were running to the door in a vain hope of sunshine.

His sister, Norah, to quiet him had told him over and over again the tales which delighted him, the delight of hearing which was second only to the delight of living them over himself, when as Cuculain he kept the ford which led to Ulla, his sole hero heart matching the hosts of Meave; or as Fergus he wielded the sword of light the Druids made and gave to the champion, which in its sweep shore away the crests of the mountains; or as Brian, the ill-fated child of Turann, he went with his brothers in the ocean-sweeping boat farther than ever Columbus traveled, winning one by one in dire conflict with kings and enchanters the treasures which would appease the implacable heart of Lu.

He had just died in a corner of the room from his many wounds when Norah came in declaring that all these famous heroes must go to bed.

He protested in vain, but indeed he was sleepy, and before he had been carried half-way to the room the little soft face drooped with half-closed eyes, while he drowsily rubbed his nose upon her shoulder in an effort to keep awake.

For a while she flitted about him, looking, with her dark, shadowy hair flickering in the dim, silver light like one of the beautiful heroines of Gaelic romance, or one of the twilight, race of the Sidhe. Before going she sat by his bed and sang to him some verses of a song, set to an old Celtic air whose low intonations were full of a half-soundless mystery:

Over the hill-tops the gay lights are peeping;
Down in the vale where the dim fleeces stray
Ceases the smoke from the hamlet upcreeping:
Come, thou, my shepherd, and lead me away.

"Who's the shepherd?" said the boy, suddenly sitting up.

"Hush, alannah, I will tell you another time." She continued still more softly:

Lord of the Wand, draw forth from the darkness,
Warp of the silver, and woof of the gold:
Leave the poor shade there bereft in its starkness:
Wrapped in the fleece we will enter the Fold.

There from the many-orbed heart where the Mother
Breathes forth the love on her darlings who roam,
We will send dreams to their land of another
Land of the Shining, their birthplace and home.

He would have asked a hundred questions, but she bent over him, enveloping him with a sudden nightfall of hair, to give him his good-night kiss, and departed. Immediately the boy sat up again; all his sleepiness gone.

The pure, gay, delicate spirit of childhood was darting at ideas dimly perceived in the delicious moonlight of romance which silvered his brain, where may airy and beautiful figures were moving: The Fianna with floating locks chasing the flying deer; shapes more solemn, vast, and misty, guarding the avenues to unspeakable secrets; but he steadily pursued his idea.

"I guess he's one of the people who take you away to faeryland. Wonder if he'd come to me? Think it's easy going away," with an intuitive perception of the frailty of the link binding childhood to earth in its dreams.

(As a man Con will strive with passionate intensity to regain that free, gay motion in the upper airs. )

"Think I'll try if he'll come," and he sang, with as near an approach as he could make to the glimmering cadences of his sister's voice:

Come, thou, my shepherd, and lead me away. He then lay back quite still and waited.

He could not say whether hours or minutes had passed, or whether he had slept or not, until he was aware of a tall golden-bearded man standing by his bed.

Wonderfully light was this figure, as if the sunlight ran through his limbs; a spiritual beauty was on the face, and those strange eyes of bronze and gold with their subtle intense gaze made Con aware for the first time of the difference between inner and out in himself.

"Come, Con, come away!" the child seemed to hear uttered silently.

"You're the Shepherd!" said Con, "I'll go." Then suddenly, "I won't come back and be old when they're all dead?" a vivid remembrance of Ossian's fate flashing upon him.

A most beautiful laughter, which again to Con seemed half soundless, came in reply. His fears vanished; the golden-bearded man stretched a hand over him for a moment, and he found himself out in the night, now clear and starlit.

Together they moved on as if borne by the wind, past many woods and silver-gleaming lakes, and mountains which shone like a range of opals below the purple skies. The Shepherd stood still for a moment by one of these hills, and there flew out, riverlike, a melody mingled with a tinkling as of innumerable elfin hammers, and there, was a sound of many gay voices where an unseen people were holding festival, or enraptured hosts who were let loose for the awakening, the new day which was to dawn, for the delighted child felt that faeryland was come over again with its heroes and battles.

"Our brothers rejoice," said the Shepherd to Con.

"Who are they?" asked the boy.

"They are the thoughts of our Father."

"May we go in?" Con asked, for he was fascinated by the melody, mystery, and flashing lights.

"Not now. We are going to my home where I lived in the days past when there came to me many kings and queens of ancient Eire, many heroes and beautiful women, who longed for the Druid wisdom we taught."

"And did you fight like Finn, and carry spears as tall as trees, and chase the deer through the Woods, and have feastings and singing?"

"No, we, the Dananns, did none of those things--but those who were weary of battle, and to whom feast and song brought no pleasure, came to us and passed hence to a more wonderful land, a more immortal land than this.

As he spoke he paused before a great mound, grown over with trees, and around it silver clear in the moonlight were immense stones piled, the remains of an original circle, and there was a dark, low, narrow entrance leading within. He took Con by the hand, and in an instant they were standing in a lofty, cross-shaped cave, built roughly of huge stones.

"This was my palace. In days past many a one plucked here the purple flower of magic and the fruit of the tree of life."

"It is very dark," said the child disconsolately. He had expected something different.

"Nay, but look: you will see it is the palace of a god." And even as he spoke a light began to glow and to pervade the cave and to obliterate the stone walls and the antique hieroglyphs engraved thereon, and to melt the earthen floor into itself like a fiery sun suddenly uprisen within the world, and there was everywhere a wandering ecstasy of sound: light and sound were one; light had a voice, and the music hung glittering in the air.

"Look, how the sun is dawning for us, ever dawning; in the earth, in our hearts, with ever youthful and triumphant voices.

Your sun is but a smoky shadow, ours the ruddy and eternal glow; yours is far way, ours is heart and hearth and home; yours is a light without, ours a fire within, in rock, in river, in plain, everywhere living, everywhere dawning, whence also it cometh that the mountains emit their wondrous rays."

As he spoke he seemed to breathe the brilliance of that mystical sunlight and to dilate and tower, so that the child looked up to a giant pillar of light, having in his heart a sun of ruddy gold which shed its blinding rays about him, and over his head there was a waving of fiery plumage and on his face an ecstasy of beauty and immortal youth.

"I am Angus," Con heard; "men call me the Young. I am the sunlight in the heart, the moonlight in the mind; I am the light at the end of every dream, the voice for ever calling to come away; I am the desire beyond you or tears. Come with me, come with me, I will make you immortal; for my palace opens into the Gardens of the Sun, and there are the fire-fountains which quench the heart's desire in rapture."

And in the child's dream he was in a palace high as the stars, with dazzling pillars jeweled like the dawn, and all fashioned out of living and trembling opal.

And upon their thrones sat the Danann gods with their sceptres and diadems of rainbow light, and upon their faces infinite wisdom and imperishable youth.

In the turmoil and growing chaos of his dream he heard a voice crying out, "You remember, Con, Con, Conaire Mor, you remember!" and in an instant he was torn from himself and had grown vaster, and was with the Immortals, seated upon their thrones, they looking upon him as a brother, and he was flying away with them into the heart of the gold when he awoke, the spirit of childhood dazzled with the vision which is too lofty for princes.

(A Dream of Angus Oge is excerpted from Imaginations and Reveries. You may find Imaginations and Reveries at http://www.wordaramanights.com/books/703/Imaginations-and-Reveries in PDF, or at http://www.gutenberg.org/dirs/etext05/imgrv10.txtt as text.)



George William Russell, AE
 George William Russell (April 10, 1867 – July 17, 1935) who wrote under the pseudonym Æ, was an Irish Nationalist, critic, poet, and painter. He was also a mystical writer, and centre of a group of followers of theosophy in Dublin, for many years. He is not to be confused with George William Erskine Russell (1853 - 1919). He also has two great-great-grandsons named Connor Russell and William Russell

He was born in Lurgan, County Armagh. His family moved to Dublin when he was eleven. He started working as a draper. He worked many years for the Irish Agricultural Organization Society (IAOS), an agricultural co-operative movement founded by Horace Plunkett. The two came together in 1897 when the co-operative movement was eight years old. Plunkett needed an able organiser and W. B. Yeats suggested Russell, who became Assistant Secretary of the IAOS. He was an able lieutenant and travelled extensively throughout Ireland as a spokesman for the society, mainly responsible for developing the credit societies and establishing co-operative banks in the south and west of the country whose numbers rose to 234 by 1910. The pair made a good team each gaining much from the association with the other.[1]

Russell was editor from 1905-1923 of The Irish Homestead, the journal of the IAOS, and infused it with vitality that made it famous half the world over. He was also editor of the The Irish Statesman from September 15, 1923 until April 12, 1930. He used the pseudonym AE, or more properly, Æ. This derived from an earlier Æ'on signifying the lifelong quest of man, subsequently shortened.

Belonging to the what was known as the Irish Literary Revival, AE met the young James Joyce in 1902, and introduced him to other Irish literary figures, including William Butler Yeats, to whom he was close. He appears as a character in the "Scylla and Charybdis" episode of Joyce's Ulysses, where he dismisses Stephen's theories on Shakespeare.

AE claimed to be a clairvoyant, able to view various kinds of spiritual beings, which he illustrated in paintings and drawings.


Notes
1. AE and Sir Horace Plunkett J.J.Byrne (The Shaping of Modern Ireland (1960) Conor-Cruise O'Brien) pp. 152-157

Poetry
Homeward Songs by the Way (Dublin: Whaley 1894)
The Earth Breath and Other Poems (NY&London: John Lane 1896)
The Nuts of Knowledge (Dublin: Dun Emer Press 1903)
The Divine Vision and Other Poems (London: Macmillan; NY: Macmillan 1904)
By Still Waters (Dublin: Dun Emer Press 1906)
Deirdre (Dublin: Maunsel 1907)
Collected Poems (London: Macmillan 1913)
Gods of War, with Other Poems (Dub, priv. 1915)
Imaginations and Reveries (Dub&London: Maunsel 1915)
The Candle of Vision (London: Macmillan 1918)
Autobiography of a Mystic (Gerrards Cross, 1975), 175pp.;
Midsummer Eve (NY: Crosby Gaige 1928)
Enchantment and Other Poems (NY: Fountain; London: Macmillan 1930);
Vale and Other Poems (London: Macmillan 1931)
Songs and Its Fountains (London: Macmillan 1932)
The House of Titans and Other Poems (London: Macmillan 1934)
Selected Poems (London: Macmillan 1935).

References
Nicholas Allen: George Russel (Æ) and the New Ireland 1905-30, Four Courts Press Dublin (2004) ISBN 1-85182-691-2

(Biographical information found at: http://en.wikipedia.org/wiki/George_William_Russell This page was last modified on 23 June 2008, at 19:08. All text is available under the terms of the GNU Free Documentation License.)




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